Maas Sculpture
The Sculpture
Measuring 182 metres in length the Maas Sculpture is an immense
art work, but viewed against the vast scale of the Willemsbrug it
appears to be a modest and playful arabesque. It is autonomous yet
tailored to its site, like Auke de Vries’ other sculpture in the city at
the Netherlands Architecture Institute.
The history of the Maas Sculpture began when De Vries was asked for his
advice about placing an art work alongside the Willemsbrug. There
followed a long discussion about the embankments, water, space and urban
quality. De Vries did not initially participate in the open competition
to design a work of art for the bridge. But when he was invited to
submit a proposal and was allowed a year to conceive his plan, he
agreed.
The forces of nature do their work: the ‘washing line’, as the sculpture
quickly became known in Rotterdam, sags, the transverse beams and rods
pull it sideways, the steel balls dangle from the strong steel cable.
The sculpture links the Willemsbrug with a leftover pier from the now
dismantled railway bridge. The sculpture draws its power from the
interplay between the river, the bridge and the embankment. (DvT)
Specifications
| nicknames | The Washing Line |
| date construction | 1982 |
| location since | 1983, Bolwerk, Rivieroevers, City Center |
| trend | Analytic kubism |
| dimensions sculpture (hxwxl) in cm | 182 m long |
| material | Steel, polyester and steel cabel |



