Scottish artist Susan Philipsz (1965, Glasgow) has been using sound for more than 20 years in her work for the public space and art centres. In her work, for which she won the Turner Prize in 2010, she re-arranges and re-interprets existing compositions or pieces of music on the basis of context-specific conditions. Like a sculptor, she explores the spatial qualities of sound and its emotional and cognitive dimensions. Her recent work often revolves around existentialist themes like trauma and sorrow.
Susan Philipsz has exhibited in numerous museums and art centres in Europe and North America. She has realized various projects in the public space, including on Governor’s Island (New York). Philipsz’ work is part of a number of large art collections, including that of the Solomon R. Guggenheim Museum in New York, The Tate in London and Museum Ludwig in Cologne. Her work is represented by gallery Ellen de Bruijne (Amsterdam) and Tanya Bonakdar Gallery (New York).