Monument voor alle gevallenen 1940 – 1945 (1957)

Mari Andriessen

photo Jannes Linders

photo Jannes Linders

The artwork

The Monument voor alle gevallenen 1940 – 1945 was created as a result of a competition held by the Comité tot Oprichting Gedenkteken Rotterdam, founded on May 16, 1945. None of the entries were satisfactory, after which the Kring van Nederlandse Beeldhouwers (Dutch Sculptors Circle), on its own initiative, put forward several sculptors, including Mari Andriessen. He had gained a great reputation for sculptures referring to the resistance, such as De dokwerker (1952) in Amsterdam, and was awarded the commission in 1953.

Andriessen, after staying in Rotterdam for a while, made a design of a sculpture group consisting of a woman and two men. At a later stage, he added another child to make the whole more dynamic. The four figures embody present, past and future: the sorrow for the past takes shape in the bent head of the woman, the child symbolizes the becoming of life, the man in the middle shares the sorrow of the woman, but at the same time has his arm around the man, who is facing the future and with spade in hand is ready for reconstruction.

The statue is strategically placed, between the old City Hall and the new Lijnbaan building. On the pedestal are the words ‘Stronger through struggle’. Wilhelmina spoke these words after her return from England, and Rotterdam included them as a motto in its city coat of arms. On the other side is a poem that Clara Eggink wrote to accompany the statue: “The work of the day requires a gifted man. One must forget disaster for its recovery. Like the swarm of seagulls on your harbors, life’s urge inevitably turns. Yet your prosperity is also based on the untimely grave of those who now know of no construction. Remember this irreparability – then shall thy posterity eat its bread in freedom.” This sculpture, together with De verwoeste stad by Ossip Zadkine and Ongebroken verzet by Hubert van Lith, forms an ensemble around the war and the resistance. Princess Wilhelmina unveiled the sculpture on May 4, 1957.

Year
1957
Location
Stadhuisplein 16
Dimensions
320 x 130 x 380 cm
Material
bronze
Client
Comité tot Oprichting Gedenkteken Rotterdam
Owner
Gemeente Rotterdam
Mari Andriessen

Mari Andriessen

Mari Andriessen (Haarlem, 1897 – Haarlem, 1979) studied for several years at the Kunstnijverheidsschool in Haarlem and then studied sculpture at the Rijksakademie in Amsterdam, where he was taught by the sculptor Jan Bronner. His first monumental commissions came mainly from the Catholic Church: distillations of Bible scenes in stone. From the second half of the 1930s he also received commissions from non-Catholic sources. He moved from carving to modelling and his work became freer and more spatial.

Andriessen made several war memorials following the Second World War. The first of these was for a memorial in Enschede in 1949. He designed various figures; a soldier, a Jewish woman and child, bomb victims and resistance fighters, and placed them on individual plinths on a lawn. In the same period Andriessen was approached by the City of Amsterdam to design a memorial to the Strike of February 1941. For this sculpture Andriessen chose the strident figure of a robust and militant dockworker. Since its unveiling by Queen Juliana on 19 December 1952 the sculpture has been widely regarded as a national symbol of the Resistance in the Netherlands.

In 1962 Andriessen was commissioned to design a national monument to Queen Wilhelmina in The Hague. He also made sculptures of the engineer Lely at the Afsluitdijk and of Anne Frank, which has been displayed in Amsterdam since 1977. Andriessen was admired for the manner in which he expressed his subjects; characters without excessive detail. He remained active until an advanced age.

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