Formula B (2001)

Job Koelewijn

photo Pieter Vandermeer

photo Pieter Vandermeer

photo Korrie Besems

photo Korrie Besems

photo archive BKOR

photo archive BKOR

technical design drawing

technical design drawing

The artwork

In 2000 Job Koelewijn produced a work comprising the text ‘No Matter Try Again Fail Again Fail Better’ in the water of the Westersingel. The text, which is taken from Samuel Beckett’s short novel Worstward Ho can be read from the sculpture terrace on the bank of the Westersingel.

Koelewijn’s idea to make a text piece was inspired by viewing the water as a blank sheet on which one could write. ‘Just like you used to stand on the beach and write your thoughts in the water’ he explains. The words appear as bubbles on the surface of the water, produced by a stream of air pumped through a perforated system of tubes.

Year
2001
Location
Westersingel 7B
Dimensions
45 x 2 m
Material
mixed materials
Client
Gemeente Rotterdam
Owner
Gemeente Rotterdam
Job Koelewijn

Job Koelewijn

Job Koelewijn (Spakenburg, the Netherlands, 1962) studied painting at the Gerrit Rietveld Academie in Amsterdam. His graduation project in 1992 represented a radical break with painting and the beginning of a search for other means of expression. Koelewijn often uses ephemeral or scented materials. For example, in 1995 he smeared the door of the arts centre De Appel in Amsterdam with Vicks chest rub. The strong smell made everyone aware of his or her own breathing. The artist often incorporates text or poetry in his work. In 1996 he covered the floor of a gallery in the Stedelijk Museum in Amsterdam with green insulation sheeting, on which a performer wrote poems with a roll-on deodorant. These remained legible for a few minutes before disappearing. Koelewijn works with photography, film and video. In a photograph entitled A Balancing Act we see him on the street among the skyscrapers in New York, where he lived for several years, balancing a tower of stacked glasses. The photograph makes tangible the experience of life. The image has personal connotations but is also accessible to everyone.

View all artists